The ” Panorama” which traces back Arab heroism

The ” October war of Liberation panorama in Syria  gives a strong impetus : that the restoring the occupied  Syrian Golan heights  back is still one of  the top priorities  of the Syrian leadership.

On every October the 6th, the gate of the Panorama premises  are opened for  public to commemorate the glorious  anniversary of 1973 October liberation war. Visitors of this gallant panorama link between the military and political tracks. This linkage is through historical perspective; where the designers of this  Monument ” tried to include events  as from the battles  of Ebla Empire which ended in a peace  agreement to unite  the country in the 3rd Millennium B.C.

Upon entering into the panorama premises from the Northern entrance of Damascus , there stands a statue for  the late President  Hafez al-Assad , the mastermind behind October war of Liberation victories. The statue( 8.5 meter-height) stands in the center of  an area of 62.7 square kilometers.

Syrian and Korean engineers worked tirelessly for more than  six months  in designing two squares , each is of an area of 107 square Km . The first includes warplanes equipments, artillery and tanks that were seized from Israeli occupation forces up by the Syrian armed forces during the October Liberation war, while the second square includes the Syrian weapons used during the war.

At the entrance, the hall is designed to combine both the past and present together. It starts with a big engraved wall painting depicting  the battle of Maysalloun, waged by the late  Syrian Minister of defense,  Youssf al-Azmeh, against the French occupation troops  when they invaded  Syria in 1920.

On the front side of the hall, a big oil painting  is shown for  the late President Hafez al-Assad . It is surrounded by other four paintings: the first oil painting speaks of the unification of the country in  the third Millennium  B.C.  following the battle  over Ebla which ended in signing the oldest peace treaty. This fact is documented by archeological discoveries unearthed by the renowned Italian archeologist, prof.  Paolo  Mattieh in Tell Mardiskh, in Idleb in the northern part of Syria.

The second painting  introduces Zenobia, the Queen of Palmyra in the hinterland of Syria in her battles  to liberate and unify the country, according  to a curator at the monument.

Two paintings are hung  on the right side of the hall:  The first shows the Umayyad  Khaleif al-Walid Bin Abdul  Malik, surrounded by leader Mousa Bin Nuseir and Tareq Bin Zeyad  ,  coming back to Syria after they had conquered  Andalusia . The second painting depicts Salah eddin al- Ayoubi  as he is riding his horse , surrounded by  his aides, while receiving  al-Firanjah  ( the Crusaders )  kings after their defeat  in the battle of Hittin  in 1187 A.D.  This very painting has a background scene of the dome of rock in holy Jerusalem.

The Eastern pavilion of the monument shows the Syrian troops, liberating  Jabal al-Sheikh surveillance  position, once it was controlled by the Israeli occupation army . At the upper floor,  there is a painting depicting  the heroism of the  Syrian naval forces in  October war.

All details of the war are presented in one painting:” the October war panorama”. It occupies an area of 1950 square meters and is of a length of 130 meters. This amazing masterpiece  of art  starts with highlighting the first moments  of the war, Israel ‘s destruction  of the liberated city of Quneitra, and it highlights the historic moment of June 1974, when  the late President Hafez Al-Assad  hoisted  the Syrian flag in the city.

 

Tomader  Fateh

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