The Damascene wood mosaic is one of the oldest , most distinguished traditional handicrafts in Damascus, giving its houses a unique beauty and earning popularity among Syrians and tourists alike.
Syrian craftsmen have excelled in this craft , and a lot of palaces and the old Damascene houses prove their creativity . The word “mosaic” is originally Greek , it means the gods of art and beauty.
The Directorate of Damascus Culture has given top priority to shed light on Syrian heritage crafts during its monthly lectures . The recent of which focused on the Damascene mosaic handicraft.
Heritage researcher Mukhlis Al-Mahmoud , who gave the lecture at the Arab Cultural Center in Al-Maazzeh said that “ wood mosaic is about two centuries old craft and depends mainly on the craftsman’s imagination in inlaying wood and transforming it into artistic forms that incorporate all kinds of wood”.
Al-Mahmoud explained that the Damascene artisan was the first one who made the first mosaic piece in 1860 by collecting rods of naturally colored wood with a triangular or square section, then cutting them in the form of chips and pasting them on the woodwork with natural glue. He adopted models for the decoration of woodwork to create the Mosaic craft which Damascus is famous for.
In her intervention, the researcher Najla Al-Khadra pointed to the importance of heritage and its cultural and historical value since man was found on earth.
She underlined that the mosaic craft which Damascus city was characterized by has become the focus of attention of visitors who carry wood mosaic works to their countries as a pure Damascene product.
The craftsman Yahya Na’emeh underscored that his love for this profession began from childhood, when he inherited it from his grandfather and learned it from his father, who became the Sheikh Kar of mosaic craft and one of the greatest craftsmen in Damascus in this field, indicating his shop in “Qaymariya” district in Damascus has become a main destination for this art lovers .
This craft depends ,according to Na’emeh, on placing seashells on wood, as he first cuts and dries the wood to make it fit for work, then he designs the wooden structure of the piece, whether it is a box, home furniture, or a mirror depending on different artistic prints.
He added the previous steps are followed by the stage of forming with seashell and pasting it which requires accuracy and artistic sense, indicating the last stage is polishing the seashell to make the piece in its final shape, which embodies a unique Damascus imprint.
Rawaa Ghanam