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Protecting antiquities a must

The General Directorate of Antiquities and Museums on Wednesday hold a symposium at the Damascene Hall in the National museum.

The symposium discusses the evaluation of  Antiquities and the strategy of protecting them during the ongoing crisis in Syria.

The general director of Antiquies and musumes. Dr. Mamoun abdul karem discusses the statues que of the Syrian museums.

"the explosions that hit the national museums of Aleppo and Der ezor, the Western wall of National Museum in Hama, Folk Tradition Museum and Medicine and Science Museum (Argoni Bermarestan) resulting in material  damages", affirmed Abdul Kareem.

In addition, some 17 ancient pieces had been stolen from Ga'bar citadel,

Non-original pieces and  ancient pieces from the Dura-Europos museum.

 Safety procedures:

It is worth noting that museums were equipped with alarm devices and  most of the museums' funds were in safe .

The researcher Nazer Awad talked about  damages of :

Al-Zahrawi palace, al-Madek citadel, al-Husun citadel, Aleppo citadel entry and Sheizar citadel.

Safety strategies:

A strategy has been  adopted by the General Directorate of Antiquities and Museums to protect heritage from thieves  by increasing the number of guards and activate the police's role.


Hanan Shamout

Fateh al Moudarres

Born in Aleppo in 1922 ,Fateh al Moudarres was one of the pioneers of the modern art movement in Syria. He is also a  painter and sculptor. In the beginning the self-taught painter was working in a realistic style, he was inspired by Surrealism in the 1940s and 1950s, and he explained his work in verse and prose to the public. After studying at the "Accademia di Belle Arti", Rome (1954-60), he returned to Syria and developed a highly personal style that he described as 'surrealistic and figurative with a strong element of abstraction.' Moudarres's work was influenced by the icons of the Eastern Orthodox Church and Syrian Classical art, which he studied in the National Museum of Damascus. His works became increasingly abstract in the 1960s, although after 1967 he expressed political themes. He studied at the "Ecole des Beaux-Arts" in Paris(1969 to 1972). His paintings have an accomplished sense of composition and balance of colour. Moudarres trained several generations of a University of Damascus. Upon his return from Italy late 1950s, Moudarres abandoned the traditional formulas of painting prevalent in Syria and began to create a language where his vocabulary was drawn from the primitive and ancient arts of his country. In his expressionistic idiom reality is mixed with fiction.
The heroes are taken both from the present and from ancient civilizations, and are both nameless farmers and legendary figures. Their square-shaped heads recall those of Assyrian statuary, and those of the figures in Palmyrene frescos, and also of early Christian iconography. These characters are enriched with warm and vibrant colours and executed in a variety of ways, sometimes with dense application of paint, sometimes scratched, or stippled, or with the addition of sand. Often a specific group of colours, such as red and black, or white and fawn, will dominate the painting.

Growing up Fateh Moudarres spent much time in the countryside, but the agricultural crisis of the 1960s forced him to relocate to Damascus.
Moudarres, along with several contemporaries, often sought to depict the everyday people and the problems they encountered. He was especially moved by the life of ordinary people in the Syrian countryside. For them, what on the surface which can often incorrectly be characterized as an idyllic existence was in fact a way of life marred by problems caused by social upheavals. The present composition depicts the life of the simple peasants, showing the country bride and wedding party.
In such a scene one might expect to see joyful celebration, but instead there is a palpable aura of sadness, as Moudarres reveals something of his feelings about suffering and helplessness of these women in the rural areas. He Passed away in Damascus 1999.


Nada Haj Khiddr

Damascus )the Smile of Sadness),Idilbi's masterpiece

Born in 1912, to a traditional Damascene family, Ulfat Idilbi was a Syrian novel writer. She wrote books that became best sellers in the Arabic-speaking world, such as "Dimashq ya Basmat el Huzn" ("Damascus - the Smile of Sadness", 1980), which was translated into many languages and filmed as "Basmat al Huzn".

Idilbi  educated herself by reading widely from the books in the library of her uncle, Kazem Daghestani, who was also an author. Then Ulfat began to write and publish stories about the Syrian resistance movement(during the French mandate) especially regarding the injustice of the aggressor and people who were involved in a struggle for their lives, freedom and the independence of their country (which was already exhausted by rule of Ottoman Empire).

Later she became a lecturer and wrote novels and essays on the social status of women in the Middle East, as well as on the pressure they undergo and the suffering they endure. Ulfat emphasized the theme of women often spending time in their own, non-existent world.

"Damascus, The Smile Of Sadness"  is the most famous novel by Ulfat Idilbi, telling a story about a girl who grows up in times of nationwide chaos (1920s), caused by the French occupation. She becomes more conscious of her national identity, which is hardly supported by her family, who is conservative and does not allow Sabriya to leave the house except to go to school. The story tells of the injustices and deprivations she undergoes, caused both by the French occupiers and by her family, along with the loss of her beloved and her vow never to forget him. It's been read as left by Sabriyeh (main character) in her diary, found after her death.

The film depicts an agonizing episode of Syrian women's struggle to gain emancipation and gender equality

Under many circumstances, most of aspects included are author's vision of reality, which Ulfat was a witness to, therefore should be considered as dramatized history.

She spent the last decades of her life between Damascus and Paris, where she died in 2007.


Maysa Wassouf

Syrian Opera House




Syria, the cradle of civilization, education and Alphabet, has one of the most fantastic and wonderful landmarks, "Al-Assad House for Arts"(Opera House). For the first sight of Opera House, you already remember Damascus because of the archeological arts .The style of the building combines old Damascene Eastern architecture with modern architecture style.

 In 2003, Opera House was established while the opening ceremony was in 2004; it is near to Umayyad square facing "Al-Assad Library".

 Its geographical site extends to 350 000 Square meters. It contains three prestigious halls, a big hall for artistic exhibition in addition to three drama Halls: Opera, Drama,  and  multi -uses Hall.

 The Main Hall (Opera) is a big one equipped with hi-tech .It can seat 1331 persons and also contains a small amphitheatre, two balconies and twenty cabins.

 Moreover, "Orchestra Stage" includes 110 seats for Musicians and it is equipped with horizontal and vertical lights. The lighting panel contains 400 lighting projectors plus two video monitors and one cinema screen.

 As for the Drama Hall, it has three sections with a capacity of 663 seats and seven rooms for artists as well.

 There is also a Multi-uses Hall that consists of two sections with 237 seats.

 The first section is for the spectators, while the second one is for service.

 Super stars like Fayrouz and Magadha Aruwimi performed songs at Al-Assad house for Arts.

 Other activities like Inana Group, Syrian National Symphony group, Arab Music group, Al-Hajra Qural , Mosaic group and High institute for music also held arts performances  there.


Hanan Shamout





Arabic Significant World Language

Arabic is the Semitic language spoken by Arabs. It consists of twenty eight letters and it is written from right to left. It is the religious language of Islam. Nearly 300 million people speak Arabic in twenty two different countries as the official language. It is also the language of the Holy Quran used by all Moslems, who are over one billion worldwide.

Arabic enjoys a high rank in Islamic and non- Islamic worlds. It has also a great significance as an international language in recent time. Arabic is famous for its poetry and rich literature. It is a very beautiful language I feel proud I speak Arabic.

It is an international language according to a number of facts and considerations which are known to the researcher who follows up the developments in the Arab world and Arabic at the same time.

Today, the Arab world witnesses a remarkable scientific and cultural rise as well as good industrial and agricultural development.

A number of linguistics academies in the Arab world work to promote the Arabic language and enriching it with the more scientific idioms in various sciences and arts as well as the active translation movement from different languages into Arabic.

In the past few years, Arabic imposed itself in the European, America and African countries where as it has become a persistent need to the European and American representatives of commerce and industry in the Arab states particularly petroleum ones.

U.S comes at the forefront of countries of countries where Arabic spreads in the universities, institutions and schools, so a great number of people learn Arabic particularly businessmen as to the big American interests in the Arab world.

Americans also show great care to Arabic language to an extent that Professor Babiev Macky of Washington University designed a computer program for Arabic.

All radio and TV stations in America and Europe devote an important scope to Arabic programs as well as dozens of dailies and magazines issued in Arabic language in different European and American capitals. Arab communities in America, Europe and Australia play an active role in spreading Arabic in the circles they work and teach in them.

Sh. Kh.